I’m excited to share some of the first reviews coming in for my latest equestrian novel, The Hidden Horses of New York.
In a lot of ways, this title was a departure for me. Readers who have been following my different series for the past decade or so will definitely have certain expectations of what a Natalie Keller Reinert novel will look like. So while this isn’t written with the same horse-only focus as The Eventing Series or Show Barn Blues, I still put my heart and soul into the descriptions, settings, and especially people and horses who populate this story.
So naturally, I’ve been curious to see what readers would think of it! Here’s what we have going on at Amazon:
“Natalie Keller Reinert books never disappoint. Not only does the author’s extensive knowledge of horses and racing give the book an authentic, realistic feel, she has an unerring feel for dialogue and plot. Highly recommend this book.”
“I couldn’t put it down! I reluctantly took a pause to go to work and do my own horse chores, but then picked it right back up!”
“Natalie Keller Reinert’s newest is a highly topical return to racetrack literature–and a soaring love letter to New York racing in particular. While the novel’s major plots entwine journalism start-ups and public perception with slaughter auctions and whistleblowing, the emotional core remains a girl and her horse. Jenny’s journey from the training tracks and prep races of central and southern Florida through each of New York’s racetracks mirrors that of her colt, Mr. November, en route to the Breeders’ Cup, as well as her relationships with her co-journalists and her industry. The author interrogates racing’s contemporary and perennial concerns while balancing family and romance plots admirably, with plenty of pulled-from-life training and backside details layered in (a Breeders’ Cup at Belmont is the cherry on top for New York racing fans). From flashy, doofy Mr. November to the police mounts of Central Park and a cowboy outfit on Long Island, this book has a horse for every reader.”
“This is my favorite book by this author. Her story telling and writing style are spot on. I was sucked in and could not put it down !”
“Loved this new novel by my favorite equestrian author! I felt like I was in the story with Jenny, all the locations were so vibrant. This was a fun and interesting read, one I really enjoyed!”
“I loved this author’s other books, but I’m not going to finish this one. No horses, characters I didn’t care about – not a quality read like her other books.”
I felt like including that last one because hey, everyone reads the same book differently. I’m actually a little concerned this reader didn’t get the correct product from Amazon, since it literally starts the first two or three chapters introducing a variety of horses. Reviewer, if you’re reading this, reach out to me and let’s make sure you received the correct download.
But nonetheless, the overall theme of the reviews is that yes, this book is working for long-time readers. Awesome news!
I’m also seeing lots of five-star ratings over at GoodReads! This is great news as I’ve always found the GR community a little tough to impress.
You can add it to your bookshelf by clicking here:
What did you think of The Hidden Horses of New York? Have you left a review at Amazon or GoodReads yet? Your reviews keep books visible and help authors out, so thanks for the time you take to leave a few words of recommendation on the books you love!
When you become a Patron, whether it’s for a writer like me, a podcaster, a visual artist, or any other creator, you’re supporting art for art’s sake and changing the way the internet works. When you support an artist directly, commercial gains can take a backseat to free expression. More relatable, more recognizable, more soul-stirring, more inspirational!
When I think of all the stories and writing I’ve been able to share with you this year, I am simply in awe. People call me prolific. They looked at my double set of tables at Equine Affaire this year and said: “Natalie, how do you write so much?”
Well, I get the support I need to write as much as I can. And I have a lot of stories to tell!
So on #ThankYouPatrons Day, this is just a reminder that you mean the world to me. That I listen to every suggestion you make and read every comment you post with keen interest, and I am writing for you.
As the holiday season approaches, I frequently get requests for signed books. Makes sense! Signed books make amazing Christmas presents. My unique equestrian fiction novels in particular are perfect for riding instructors, barn owners and farm managers, trainers and coaches, horse show moms and basically anyone else who loves horses. Or books. You get the idea.
It’s always hard for me to fulfill late-season signing requests so I’m really excited that this year the amazing Taborton Equine Books are going to handle some of that for me!
In conjunction with our Equine Affaire book-signing (in W. Springfield, MA on November 8-9, 2019), signed books are now available to order online, directly from the bookseller. I’ll sign your book at the event — you’ll get the book in the mail afterwards!
So whether you just want a signed copy of Ambition for your bookshelf, or your working student is going to squee when she gets a copy of Horses of Wonderland for Christmas, right now is the perfect time to get your signed book ordered!
As for me, I’ll be icing my hand in between signings at the Equine Affaire table. Between the in-person demand and the online orders, I am going to have a lot of books to sign!
I love going to Equine Affaire. Yes, it’s Massachusetts in November, which is… chilly. But it’s charming! The autumn leaves, the colonial towns, the SNOW FLURRIES (that totally happened last year). For me, a Floridian, it’s a wow.
Plus, Equine Affaire brings together so many horse people in one place. It’s an equestrian fun fair.
Every year my wonderful friends at Taborton Equine Books invite me to sign books and meet up with readers at their fantastic bookshop. Taborton is THE equestrian bookseller, with shelves and shelves of every sort of horse book, from classic children’s stories to the newest training manuals — and, of course, my favorite, equestrian fiction! If you love the pleasure of perusing bookshelves instead of skimming Amazon listings, you can’t miss this store.
Come and see me on Friday from 4 to 7 PM or on Saturday from 10 AM to 4 PM (I’ll be sneaking away for lunch around noon, but I’ll be back). If you already have one of my books, bring it along to be signed. If you need to pick up a paperback, Taborton will have some! But be warned, last year they sold out of Ambition before my Saturday set was over!
I’d love to chat with you, meet some new friends, and definitely catch up IRL with all of you fantastic social media friends.
This year’s Equine Affaire is November 7-11, 2019, at the Eastern States Expo in West Springfield, Massachusetts. Will I see you there?
The side-hustle is getting a lot of grief these days.
Having a side-gig is getting blamed for everything from millennial burn-out to the accusation that we’re turning our hobbies into jobs because of online/offline peer pressure (and thus hating our hobbies for being our jobs).
And while it’s true the entrepreneurial mood right now is focused on eradicating the toxic “always be hustling” culture we were taught to adore in the first fifteen years of this awful new century, the fact is, gigs and hustles and multiple hats are part of our culture and our economy now. Let’s be real: we live in a very disappointing simulation most of the time. Ah, 2019: wage stagnation, financial inequality, and an expectation that if we need anything in an emergency, or even the very basics of healthcare, a for-profit corporation will handle it… providing your job still fits into their latest business plan. We should be so lucky as to have a passion we can monetize, if that’s our society’s status quo.
So don’t hate the gig economy, hate the game — then learn to play it well. Start off by knowing thy enemy: it’s not the work.
The root cause of both burn-out and of hating your passion-turned-job is a lack of balance, not simply the monetization of hobbies.
Here’s the thing: there is nothing more important than work-life balance. While it’s really common to get burn-out just from working your nine-to-five, it’s also true that side-hustles, even the ones you are passionate about, can easily upend whatever tenuous grasp you might have had on work-life balance–especially when they’re added to a nine-to-five day.
When I was working a full-time job and writing fiction and freelancing and trying to ride just a couple of days per week, my life was a series of precariously balanced appointments, with meticulously monitored commute times to make it all possible.
I had to give up freelancing, but even that wasn’t enough. I barely had the energy to write anything after work, I didn’t have time to work out so I could feel healthy and good about myself, and getting to the barn was an exercise in resilience and not going crazy in traffic jams.
One person calling “Hey Natalie, quick question?” from the office next to mine at 4:03 PM was enough to mean that, fifteen minutes later, I was sadly slogging out to my car to drive home, knowing I wasn’t going to get to ride that night. It was absolutely important that I stick to my timetable, from leaving my apartment at 7:20 AM to beat morning traffic, to getting out at by 4:10 to almost beat evening traffic. A few minutes’ diversion either way meant an extra 20 minutes or more of time stuck in the car, while daylight waned. (Orlando notoriously has some of the worst traffic in the country, so that was part of it.)
I don’t know if keeping to that strict timetable was work-life balance or a slowly soul-numbing descent into hell, but either way, once my full-time job was over, I realized I didn’t have to clock-watch in order to get to the things I loved. So I turned back to my passions and sorted out what parts of them I could monetize (or in some cases, hyper-monetize) and found actual control over my day. It is my day, after all.
Of course, there’s work to be done at balancing all of my side-hustles, turning my work day into one big succession of hustles.
At first I asked: can I write for a certain website I enjoy writing for and produce a novel in 90 days and pick up a freelance social media campaign and plan travel and teach riding lessons and have a family life? It turns out that no, I can’t. I’ve been back in the hustle life for less than two months and I’ve already had to make some adjustments to my expectations of myself. I had to do some calculations, figure out the ROI on the work I was doing, and choose to prioritize the work paying the highest ROI and eliminate the work paying the lowest.
As a result, I’ve now completed the first draft of a novel in record time (six weeks, thank you for asking!), booked some very cool vacations for some very cool people, started teaching riding lessons so we can rock a new generation of horsey kids, started working out (I can run three miles now without stopping, thank you for asking!), and spend what is probably too much time with my family, no seriously, I think they are tired of me.
And what I love most? This can change. I can change this up tomorrow. I could add a freelance gig, pick up a part-time job so that I can remember how to interact with other humans, jump on a contract and work in an office for a few months making something cool happen, write another book, write a series of short stories, start a podcast (okay that probably won’t make any money) — but the point is, my life is mix-and-match right now, and I’m running around the candy shop, picking my favorite flavors.
Let your hobby earn you some breathing room. Let your passions run your life. Let your side-hustles give you new meaning.
Just keep it balanced. You can do this.
The Internet gives us the opportunity to market ourselves with almost no effort. Want to sell your dressage-themed cross-stitch pillows, but don’t have time to market them? Start an Instagram and a Facebook, and spend an hour on Saturday evening scheduling posts for the week while you’re ignoring Netflix. (You’re on your phone anyway.) Tag some horsey influencers and ask if you can mail them a couple. There, you did some marketing for the week. No craft shows, no tack shop cold calls, no fuss. Now you can get back to ignoring Netflix in peace.
The gig economy is here and we can let it empower us, or we can let it burn us out. What we can’t do is deny it exists, and that it’s taking over our lives. How are you going to hustle it?
PS: if you’re marketing dressage cross-stitch pillows, I want to see them. And if you’re making something awesome – contact me! I’m going to start a monthly feature on equestrians with side-hustles!
So, here’s the thing. I love social media, because it’s given me a chance to meet wonderful people (like you, probably!) but we have to admit it, there’s a flaw in its design. All of those short sentences and catchy captions don’t give us nearly enough time to really get to know each other!
For that, I think it’s time to get back to blogs. Make a cup of tea, set aside some time to read, and enjoy some stories from people we’d like to get to know better–I think we could all use that once in a while! So without further ado, let’s start with Five Questions for author L.R. Trovillion.
Her books get great reviews with readers, who love her fast-paced, tightly-woven plots about teenage girls who find purpose and courage through equestrian life.
If you love coming-of-age stories (and who doesn’t, really) and a well-written story with plenty of horses in it, these books belong on your list.
I asked L.R. Trovillion five questions about her latest novel, her writing life, and her craft. Let’s go!
Hello! Thank you for being my debut subject for Five Questions!
First of all, thank you, Natalie, for giving me this opportunity to speak with you and for hosting me on your blog.
You have a new book! Tell us a little about Horse Gods and your inspiration for this story.
The story grew out of a unique experience. A friend invited me to accompany him and his hawk out hunting. When this bird of prey lifted off his arm to the treetops, I was amazed that it did not just fly away, free. That really got me thinking…
The sequel, Horse Gods, picks up the story of a new main character, Regina Hamilton. Her abusive mother, who we met in the first book, False Gods, is getting out of prison and Regina has only a few months to figure out how she can avoid having to live with her. As a minor, she doesn’t have too many options.
She falls into an opportunity at an elite dressage barn (even though she’s a jumper rider!) to work as a resident working student, if she can prove herself.
But things at this barn are not what they seem, and before long Regina finds herself in a dangerous situation. (No spoilers).
What made you decide to begin writing equestrian fiction?
Horses are the inspiration. I only started riding as an adult when I had a job that would support boarding and lessons, but I never looked back!
To help defray some costs, I worked as a groom for a hunter/jumper rider, which gave me a unique view into the world of big-time horse shows.
Later, my interests gravitated to dressage. I believe there is a certain magic in the horse-human connection and I hope to capture a little bit of it in my stories.
Horse Gods blends a lot of topics – you’ve got hawking, dressage, Irish mythology, and parents in prison, among other things. Was it hard to keep your plot in order and not lose any threads?
Ha, ha! I’ll have to let my readers answer that question, but I certainly hope I didn’t lose any threads! Yes, there’s a lot going on, but the various topics are all held together by one central theme—trust. The hawk, the wild mare, the Irish myths that surround Regina all symbolize various needs for and levels of trust. You see, Regina has no one to lean on, no one to help her (she thinks), and so has always just relied on herself. As she grapples with one problem after another, she slowly discovers how to trust in others as well. But that trust in people is severely tested in the end.
Can you tell us a little about your writing craft – how you schedule your time, how you plan your stories, that sort of thing?
I would like to say that I am very disciplined and sit down to write for a set period of time every day, but that would be a lie! So often I sit down to write and a million other tasks feel suddenly more pressing—‘Oh, maybe I should clean out the closet instead!’
When I do knuckle down to write, at the beginning of a novel, I get a germ of a story idea and start building the characters around it. I like to take a main character, give her a big problem, strip her of all outside support from family or conventional means, and set her loose to make bad decisions and see what happens. Secondary characters sort of turn up on the pages and some of them become quite interesting and get to be the main character in the next book. (Spoiler: Main character in book 3 is Willow).
Sounds quite haphazard, doesn’t it? I do usually have the beginning and the end destination planned, but that whole messy middle part is sometimes surprising even to me.
What’s on your 2019 reading list? Have you read anything amazing this year?
I am fortunate to belong to a book club, which has been together for about 23 years. In that time, I have been introduced to so many amazing books, often ones I would not have picked out for myself.
Recently, one of my favorites was A Gentleman in Moscow by Amor Towles. I was a Russian language and literature major in college and this book captured so beautifully the culture, history, and mood of that time in Russia. Plus, I absolutely fell in love with the main character, Count Rostov! As for horse fiction, I’d have to say an all time favorite is Horse Heaven by the master storyteller, Jane Smiley.
I also love to read a lot of Young Adult. I really enjoyed The Sun is Also a Star by Nicola Yoon for her brilliant and edgy characters and Six of Crows by Leigh Bardugo for amazing world building. On my list: The Hate U Give by Angie Thomas and Girl in Pieces by Kathleen Glasgow. But I’m open to other suggestions!
Really solid choices. I love Amor Towles’ first book Rules of Civility, and A Gentleman in Moscow has been on my list for ages. And of course, Horse Heaven, I’ve been very open about how much I love that one!
Thanks to L.R. Trovillion for that excellent look inside her books and writing process. I especially love the idea of taking a character, stripping her of help, and seeing what she’ll do next. My process is generally to take a character, give her an opportunity, then think about all the awful consequences. Either way, you can’t have a story without being well-versed in a certain kind of worst-case scenario thought process!
This post originally appeared at Retired Racehorse Blog in 2013.
I’m a huge proponent of independent publishing, not least because it has allowed horse books to enter a whole new level. Gone are the days when I could choose between a $5.99 paperback from the Thoroughbred series or a $35.95 hardcover tome on dressage principles if I wanted to have a little horsey reading time. Equestrian writers can write for equestrians of all ages.
(And on a side-note, whoever decided that horse training books should be published on expensive glossy paperstock and with beautiful slipcovers was probably some accountant reading a report about the 35-55 married female with disposable income demo that represents the majority of Dressage Today’s subscribers, not a horse-person who knows a training book is best perused in the rather dirty and disheveled confines of the tack room immediately before or after a training session.)
Meanwhile, back at the ranch… Indie publishing lets horse-people publish horse-books that I actually want to read.
You’ve probably noticed that I’ve reviewed Barbara Morgenroth and Maggie Dana books quite often at Retired Racehorse. That’s because they’re not just excellent writers, they’re horsewomen, and they write horse books that make sense. No one is going straight to the Olympics after they went to a summer riding camp, taught an unbroken Mustang to jump logs in the woods by moonlight, and subsequently won the Grand Prix at the National Horse Show. (Any old Grand Prix will do.)
Instead, Maggie writes about tweens who are going about the very difficult business of growing up and working really, really hard to improve their riding because they know nothing else really matters in life.
Meanwhile, Barbara writes about teens who are going about the very difficult business of growing up (in a much more edgy manner, because teens) and working really, really hard to improve their riding even though they’re not entirely convinced that it’s the best way to spend their time (because teens).
The books lend to one another beautifully: As Barbara said, “Maggie’s books are a gateway to mine.”
And, I’d like to think, Barbara’s books lead to mine, which are written about adults in the horse business.
No more skipping from Thoroughbred to Mary Wanless in one not-so-easy step. Horse books have a progression now.
And indie publishing isn’t just wonderful because it allows us to read books we might never get to enjoy otherwise. Indie publishing also provides for a spirit of collaboration and friendship between authors who realize that by working together, they can provide the best possible reading experience for fans. Recently, they sent me this wonderful article:
How Two Rivals Came Together to Make a Team
In the world of traditional book publishing, Barbara Morgenroth and Maggie Dana would be rival authors, both vying for the same limited space on bookstore shelves devoted to children’s and YA fiction. Very likely they’d be monitoring one another’s sales ranks and rejoicing if the other author dropped a few points.
“Hooray! Let’s break out the whips and spurs!”
But when it comes to indie publishing, all that has gone out the window. Independent authors are totally open about sharing resources and information and helping one another. Some have edited and/or proofed another’s books for free; other indies have provided their fellow authors with professionally designed covers, formatting, and typesetting (again, for free) because they believed in someone else’s book and wanted to help.
Six months ago, Barbara and Maggie only knew each other from their Amazon listings, but thanks to a chance encounter on a well-respected indie publishing industry blog, they connected in real time.
And they are loving it.
After getting to know one another via phone and email, they swapped information: Maggie has taught Barbara how to format her books for ePub and Kindle, and Barbara (whose multiple talents include writing for daytime television) has helped Maggie broaden her writing horizons. They’ve also swapped characters.
Lockie Malone, Barbara’s enigmatic horse trainer who stars in her Bittersweet Farm series, makes a guest appearance in Taking Chances, the seventh book in Maggie’s Timber Ridge Riders series for mid-grade/tween readers.
At some point, one of Maggie’s Timber Ridge characters will show up in Barbara’s Bittersweet Farm YA books.
And who knows where this will lead? All bets are off as these two writers set aside any hint of competition and work together to make their genres the best they can be… and they’re having a boatload of fun while doing it.
About these two horse-crazy authors …
Maggie Dana’s first riding lesson, at the age of five, was less than wonderful. In fact, she hated it so much, she didn’t try again for another three years. But all it took was the right instructor and the right horse and she was hooked for life.
Her new riding stable was slap bang in the middle of Pinewood Studios, home of England’s movie industry. So while learning to groom horses, clean tack, and muck stalls, Maggie also got to see the stars in action. Some even spoke to her.
Born and raised near London, Maggie now makes her home on the Connecticut shoreline where she divides her time between hanging out with the family’s horses and writing her next book in the Timber Ridge Riders series. She also writes women’s fiction and her latest novel, Painting Naked, was published in 2012 by Macmillan/Momentum.
Barbara was born in New York City and but now lives somewhere else. She got her first horse when she was eleven and rode nearly every day for many years, eventually teaching equitation, then getting involved in eventing.
Starting her career by writing tween and YA books, she wound up in daytime television for some years. Barbara then wrote a couple of cookbooks and a nonfiction book on knitting. She returned to fiction and wrote romantic comedies.
When digital publishing became a possibility, Barbara leaped at the opportunity and has never looked back. In addition to the fifteen traditionally published books she wrote, in digital format Barbara has something to appeal to almost every reader—from mature YAs like the Bad Apple series and the Flash series, to contemporary romances like Love in the Air published by Amazon/Montlake, along with Unspeakably Desirable, Nothing Serious, and Almost Breathing.
Launching Turning For Home was my most challenging book launch to date. The fourth book in a series — how do you share that with readers who are new to the series? Compared to Ambition, I barely did any promotional work at all. I just plain didn’t know what to do.
After all, I couldn’t exactly send it to equestrian websites and blogs if they hadn’t covered the first few books. A few websites who had declined reading The Head and Not The Heart and Other People’s Horses (because they were racing novels) had been my most enthusiastic reviewers for Ambition — and here I was going back to racing for my newest novel.
And not just racing, but responsible racehorse retirement. Other People’s Horses was about horse racing, and while there were a few bad apples, it was largely positive. Racing people liked it; so much so that it was a semi-finalist for the Dr. Tony Ryan Book Award in 2014. Turning For Home deals with retirement, animal rights activists, and the fact that some people just are not doing right by their racehorses. Would it hit a chord with racing publications, or just piss everyone off?
Well, at least I had my core readers, right? RIGHT? But what if I couldn’t get the word out to all the readers that had been clamoring for a new Alex novel for the past two years?
All of a sudden the year’s worth of work I’d thrown at Turning For Home was looking pretty crazy. Maybe, I thought, I should have spent all that time working on the sequel to Ambition, a book that was fresher in people’s memories — and which had a lot of support from traditional equestrian websites and magazines.
In the end, I settled for awareness. I designed a few graphics to stick on my various social media pages. I used Amazon’s new pre-order feature for the Kindle edition, so that it could start climbing the rankings in the horse racing category where the other Alex novels already do well. (Happily, Amazon helped out by featuring it in their “Hot New Releases” section for a few weeks.) I tweeted (a little) and Facebooked (a little) and threw out a few notices on Pinterest and Instagram. Just enough to let folks know that the book was happening, and if they wanted to, they could read it!
How’s that working out for me?
Well, so far so good. Turning For Home made its debut in March on Amazon’s top ten horse racing titles, and it’s been up there consistently ever since. It’s also been sitting in the top five on Teen/Young Adult Sports & Outdoors, which is a new category for me, but I’m in good company there with several other equestrian authors, so I’ll take it! (FYI, I added the teen age group to my books based on the enthusiastic teen response to Ambition, but I still write these books in a mature tone as I always have.)
“I could not recommend this book more highly for horse lovers!”
“If you love horses, horse racing, showing, or just plan love Thoroughbreds… read Natalie.”
“You can’t go wrong with one of Natalie’s equestrian books.”
You GUYS! Stop it. I’m blushing.
So, all in all, the confusing promotion of a fourth book has turned out okay. I would love to know how much of it was my blog and social media, and how much of it was people clicking on Amazon’s suggested purchase or new release ads, that actually let people know Turning For Home was available. Either way, it’s good to know that I can concentrate on writing, and spend less time worrying about getting the word out about new books.
But if you really want to know… look for my next book, Pride, very soon. Yes, it’s the next book in my Eventing Series, which began with Ambition. Yes, Jules has a lot more growing up to do. It should be a fun ride.
It’s one thing to find inspiration in your daily life. Out fooling around with horses, hanging at the barn listening to gossip, leaning on a fence at a horse show or on the rail at the races — it’s easy to take home a hundred stories from one afternoon around horses and horse-people.
Barn life, after all, is made up of little moments that might not have anything to do with riding or training. Like stumbling upon a cat in the hay and trying to figure out a way to pull out a flake without disturbing his regal slumber — that one happened to me last week.
Adding some horse-time to my life is a tremendous boon after spending two years, while I was writing Ambitionand now Turning For Home, without any horses in my life.I was working off a whole lot of memories, and not much else.
That’s where online inspiration comes in.
When you’re searching for just the right turn of phrase to describe the way a horse’s expression lights up as he heads towards a fence.
When you’re trying to find a way to express the feel of your horse’s hot neck beneath your palm.
When you’re just plain thinking what would this horse/this rider do next in this situation I’ve put them in?
Thank goodness for the Internet, my friends.
I use Tumblr and Pinterest to gather together photos that I find inspirational. Sometimes, when I can’t eek out another useful description from the sea of black-and-white words, I need something a little more real and concrete. I go through photos, watching horses jump fences, horses jigging towards the starting gate, horses leaning over their stall webbing to get a glimpse of the hay-cart coming down the aisle. And that’s enough to bring back all the sights and sounds and smells and surfaces of the shed-row or the stable, and I can get back to work with a renewed sense of purpose.
My Tumblr is similar, with a different variety of horses — the Tumblr is more about fine art photography most of the time, whereas the Pinterest might contain links to articles or just certain moments that I find evocative. The Tumblr is at ottb.tumblr.com.
Check them out to get a taste of the online inspiration I use every day in my writing! I’ll continue to add images and posts even after Turning For Home is released — it’s the kind of beauty you never want to give up.
Consider this your invitation. If you love equestrian writing and want to know more about the writers behind the books, Horse Crossings is a new blog just for you!
I’m so happy to have joined the inaugural team at Horse Crossings, along with founder Linda Benson (author of the beautiful novel The Girl Who Remembered Horses), Young Adult authors Alison Hart and L.R. Trovillion, writers Jane Badger and Milt Toby, and novelists Meghan Namaste and Toni Leland. All of write about horses. All of us are connected with horses in our daily lives. We want to share our process, our adventures, and our stories as horsemen and writers with you, our readers and fellow horsemen.
It’s really good timing for me, since I just moved back to Florida with my family, and am enjoying some much-needed horse time by volunteering at Hidden Acres Rescue for Thoroughbred (HART) in the town where I first started riding my own retired racehorse out across the Florida wilderness, Port St. John. It’s an interesting mixture of nostalgia and ambition that’s motivating my writing these days, as I drive to my childhood neighborhood to do barn chores and work with off-track Thoroughbreds, then head back home to my desk and my work.
Since I haven’t really been able to spend any time with horses since I left the mounted patrol unit of the New York City Dept. of Parks and Recreation in 2013, the simple act of mucking a stall has been a real pleasure! Grooming a horse and taking him out to the round pen for a little work-out — bliss. I’m excited to write about the horses I meet and work with at HART, and I’m going to do a lot of that at Horse Crossings, as I explore how horses inspire my writing.
In this week’s first post at Horse Crossings, I wrote about my upcoming novel Turning For Home, and the decision to step back from the racetrack and talk instead about retiring racehorses. There are still racetrack moments in this latest installment of the Alex and Alexander series, but there are many more farm, round pen, and even dressage ring moments. As a horsewoman, Alex is doing what we all must do — travel full-circle to be her very best, and do the best for her horses.
Jane Badger of Jane Badger Books writes about getting her start in writing about horse literature. She’s the queen of pony books, and her posts will make you want to take up a new hobby, collecting these vintage British horse stories! So read with caution!
Lisa Trovillion, author of False Gods, talks about answering that impossible question, “What’s your book about?” It’s something that makes all of us authors stumble, until all of a sudden we’re working our way through a twenty-minute dissertation on our heroine’s deepest darkest fears. None of us are particularly gifted at elevator speeches.
And Linda Benson started off our week with a look at the inspiration behind The Girl Who Remembered Horses, which was recently re-released with a gorgeous new cover.